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I really like what's going on with both of the portraits you've done so far. The colors are accurate and alive, and not too literal (this here is flesh color, this here is hair color, etc.) and because of that you've captured a lot of the character in the subjects and their environment. The brushstrokes have a good energy to them, and I like that you've used their length and angle to construct the facial planes in Dan and the Man.
moar por favor
moar por favor